Storyline
Young hobbit Frodo Baggins, after inheriting a mysterious ring from his uncle Bilbo, must leave his home in order to keep it from falling into the hands of its evil creator. Along the way, a fellowship is formed to protect the ringbearer and make sure that the ring arrives at its final destination: Mt. Doom, the only place where it can be destroyed.
One ring to rule them all
Brooking no argument, history should quickly regard Peter Jacksons The Fellowship Of The Ring as the first instalment of the best fantasy epic in motion picture history. This statement is worthy of investigation for several reasons.Fellowship is indeed merely an opening salvo, and even after three hours in the dark you will likely exit the cinema ravenous with anticipation for the further two parts of the trilogy. Fellowship is also unabashedly rooted in the fantasy genre. Not to be confused with the techno-cool of good science fiction, nor even the cutesy charm of family fare like Harry Potter, the territory of Tolkien is clearly marked by goo and goblins and gobbledegook. Persons with an aversion to lines such as, To the bridge of Khazad-dm! are as well to stay within the Shire-like comforts of home (their loss).With those caveats in place, it bears repeating: fantasy does not come finer. There are electrifying moments notably the computer-assisted swooping camera through Isengard as it transforms into a factory for evil when Jacksons flight of fancy approaches the sublime as the romantic poets would understand it: inspiring awe.Leaving aside the thorny issue of Tolkien die-hards and their inevitable gripes What no Tom Bombadil? Jacksons screenplay (written in collaboration with Fran Walsh and Phillipa Boyens) is both bolder and more judicious than Steven Kloves surprisingly timid retread of Harry Potter. In particular, rescuing the romance of Arwen and Aragorn from the footnotes and the elevation of Saruman to all-action bad guy actually has a corrective influence on Tolkiens often oblique and female-sparse source material.There are problems, though. The three-hour running time is high on incident and low on discernible form. After successive detours to Elf habitats Rivendell (the watery home of Elrond) and Lothlrien (the forest home of the Lady Galadriel), the uninitiated might well ask why these crazy Elf kids cant just live together and spare us all this attenuated dramatic structure.More importantly, the action clearly climaxes in the desperate flight from the Mines Of Moria, where the largely seamless SFX is showcased in the best possible light total darkness but the narrative demands a different, downbeat ending. Indeed, but for some fine emotional playing from Bean, Mortensen, Astin and Wood, the final fight might feel like a particularly brutal game of paintball in Bluebell Wood. But then, the real battles are yet to come...Verdict - Putting formula blockbusters to shame, Fellowship is impeccably cast and constructed with both care and passion: this is a labour of love that never feels laboured. Emotional range and character depth ultimately take us beyond genre limitations, and it deserves to play as wide as a certain Mr. Potter.5/5- Colin Kennedy, Empire Magazine
Young hobbit Frodo Baggins, after inheriting a mysterious ring from his uncle Bilbo, must leave his home in order to keep it from falling into the hands of its evil creator. Along the way, a fellowship is formed to protect the ringbearer and make sure that the ring arrives at its final destination: Mt. Doom, the only place where it can be destroyed.
One ring to rule them all
Brooking no argument, history should quickly regard Peter Jacksons The Fellowship Of The Ring as the first instalment of the best fantasy epic in motion picture history. This statement is worthy of investigation for several reasons.Fellowship is indeed merely an opening salvo, and even after three hours in the dark you will likely exit the cinema ravenous with anticipation for the further two parts of the trilogy. Fellowship is also unabashedly rooted in the fantasy genre. Not to be confused with the techno-cool of good science fiction, nor even the cutesy charm of family fare like Harry Potter, the territory of Tolkien is clearly marked by goo and goblins and gobbledegook. Persons with an aversion to lines such as, To the bridge of Khazad-dm! are as well to stay within the Shire-like comforts of home (their loss).With those caveats in place, it bears repeating: fantasy does not come finer. There are electrifying moments notably the computer-assisted swooping camera through Isengard as it transforms into a factory for evil when Jacksons flight of fancy approaches the sublime as the romantic poets would understand it: inspiring awe.Leaving aside the thorny issue of Tolkien die-hards and their inevitable gripes What no Tom Bombadil? Jacksons screenplay (written in collaboration with Fran Walsh and Phillipa Boyens) is both bolder and more judicious than Steven Kloves surprisingly timid retread of Harry Potter. In particular, rescuing the romance of Arwen and Aragorn from the footnotes and the elevation of Saruman to all-action bad guy actually has a corrective influence on Tolkiens often oblique and female-sparse source material.There are problems, though. The three-hour running time is high on incident and low on discernible form. After successive detours to Elf habitats Rivendell (the watery home of Elrond) and Lothlrien (the forest home of the Lady Galadriel), the uninitiated might well ask why these crazy Elf kids cant just live together and spare us all this attenuated dramatic structure.More importantly, the action clearly climaxes in the desperate flight from the Mines Of Moria, where the largely seamless SFX is showcased in the best possible light total darkness but the narrative demands a different, downbeat ending. Indeed, but for some fine emotional playing from Bean, Mortensen, Astin and Wood, the final fight might feel like a particularly brutal game of paintball in Bluebell Wood. But then, the real battles are yet to come...Verdict - Putting formula blockbusters to shame, Fellowship is impeccably cast and constructed with both care and passion: this is a labour of love that never feels laboured. Emotional range and character depth ultimately take us beyond genre limitations, and it deserves to play as wide as a certain Mr. Potter.5/5- Colin Kennedy, Empire Magazine
Movie details The Lord of the Rings: The Fellowship of the Ring
Release : 2001-12-19Genre : Action, Adventure, Fantasy
Runtime : 178 minutes
Company : New Line Cinema
Cast
Elijah Wood | as | Frodo Baggins | |
Ian McKellen | as | Gandalf the Grey | |
Viggo Mortensen | as | Aragorn | |
Liv Tyler | as | Arwen Evenstar | |
Orlando Bloom | as | Legolas | |
John Rhys-Davies | as | Gimli | |
Sean Bean | as | Boromir | |
Christopher Lee | as | Saruman | |
Sean Astin | as | Samwise 'Sam' Gamgee | |
Billy Boyd | as | Peregrin 'Pippin' Took | |
Dominic Monaghan | as | Meriadoc 'Merry' Brandybuck | |
Hugo Weaving | as | Elrond | |
Cate Blanchett | as | Galadriel | |
Ian Holm | as | Bilbo Baggins | |
Craig Parker | as | Haldir | |
Lawrence Makoare | as | Lurtz | |
Sala Baker | as | Sauron | |
Alan Howard | as | The Ring (voice) | |
Andy Serkis | as | Gollum | |
Sarah McLeod | as | Rose 'Rosie' Cotton | |
Noel Appleby | as | Everard Proudfoot | |
Marton Csokas | as | Celeborn | |
Megan Edwards | as | Mrs. Proudfoot | |
Michael Elsworth | as | Gondorian Archivist | |
Mark Ferguson | as | Gil-Galad | |
Brent McIntyre | as | Witch-King | |
Peter McKenzie | as | Elendil | |
Ian Mune | as | Bounder | |
Cameron Rhodes | as | Farmer Maggot | |
Martyn Sanderson | as | Gate Keeper | |
Harry Sinclair | as | Isildur | |
David Weatherley | as | Barliman Butterbur | |
Victoria Beynon-Cole | as | Hero Orcs / Goblins / Uruks / Ringwraiths | |
Lee Hartley | as | Hero Orcs / Goblins / Uruks / Ringwraiths | |
Sam La Hood | as | Hero Orcs / Goblins / Uruks / Ringwraiths | |
Chris Streeter | as | Hero Orcs / Goblins / Uruks / Ringwraiths | |
Phil Grieve | as | Hero Orcs / Goblins / Uruks / Ringwraiths | |
Jonathan Jordan | as | Hero Orcs / Goblins / Uruks / Ringwraiths | |
Semi Kuresa | as | Hero Orcs / Goblins / Uruks / Ringwraiths | |
Clinton Ulyatt | as | Hero Orcs / Goblins / Uruks / Ringwraiths | |
Paul Bryson | as | Hero Orcs / Goblins / Uruks / Ringwraiths | |
Lance Fabian Kemp | as | Hero Orcs / Goblins / Uruks / Ringwraiths | |
Jono Manks | as | Hero Orcs / Goblins / Uruks / Ringwraiths | |
Ben Price | as | Hero Orcs / Goblins / Uruks / Ringwraiths | |
Billy Jackson | as | Cute Hobbit Child | |
Katie Jackson | as | Cute Hobbit Child | |
Peter Corrigan | as | Otho (extended edition) | |
Lori Dungey | as | Mrs. Bracegirdle (extended edition) | |
Norman Forsey | as | Gaffer Gamgee (extended edition) | |
William Johnson | as | Old Noakes (extended edition) | |
Elizabeth Moody | as | Lobelia Sackville-Baggins (extended edition) | |
Brian Sergent | as | Ted Sandyman (extended edition) | |
Timothy Bartlett | as | Hobbit (uncredited) | |
Jarl Benzon | as | Elf (uncredited) | |
Jrn Benzon | as | Rumil (uncredited) | |
Rachel Clentworth | as | Goblin (uncredited) | |
Sabine Crossen | as | Rivendale Elf (uncredited) | |
Taea Hartwell | as | Cute Hobbit Child (uncredited) | |
Peter Jackson | as | Albert Dreary (uncredited) | |
Alan Lee | as | King of Men - Prologue Sequence (uncredited) | |
Thomas McGinty | as | Hero Orcs / Goblins / Uruks / Ringwraiths (uncredited) | |
Bret McKenzie | as | Elf at Council of Elrond (uncredited) | |
Kate O'Rourke | as | Hero Orcs / Goblins / Uruks / Ringwraiths (uncredited) | |
Shane Rangi | as | Witch-King of Angmar (uncredited) |
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